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Stories

Spirits Shopw No. 1

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Hello everyone!

So, Hel from Metropolis 1927, reimagined by me in the likeness of Marilyn Monroe, visits a beauty salon located in a crypt. Meanwhile, a spark ignites between her and the worker... and not just one! Those feet will be polished with a circular saw.

This is the first issue of the Spirits Show comic series, and due to its short length, you could call it a pilot episode.

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I’d love for you to subscribe!

I’ll share more details about the references this weekend (uptd: done). For those who enjoyed the episode, please vote in the poll via the link: Open Google Forms

In the poll, I’m asking which of my older ideas you’d like to see in the next issue. It’ll definitely be five times longer!

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A detailed close-up of an old bell in motion, ringing, attached to a stone wall. The setting is dark fantasy with a pin-up style twist. The bell is vintage, possibly made of copper or iron, adorned with a skull and a vibrant pink ribbon. The focus is solely on the bell and the wall, with no additional elements. The bell is in dynamic motion, with visible motion lines or traces to emphasize the ringing. The wall is textured stone, adding a rustic look. The overall style is more illustrated, with a touch of whimsy, fitting a Halloween pin-up theme.

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Close-up of a woman's feet walking forward, viewed from behind in a dark crypt. Her right foot is human, wearing a high pink matte stiletto, and her left leg, which is mechanized, shows only the back of her heel with mechanical toes visible, including an elegant sixth mechanical toe, slightly bent and pressing against the ground. The dark atmosphere of the crypt is emphasized by the stone walls surrounding her. Far ahead in the distance is a blurred stone table, barely visible due to the distance and slight blur, adding mystery to the crypt setting. The pink dress extends over both the human and mechanical leg, creating a seamless appearance. The woman has a curvier figure, with legs that are not too slender, creating a balanced contrast between human softness and robotic power.

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In a gothic, old cemetery, there is a crypt converted into a beauty salon for the undead. The counter is a massive stone sarcophagus, and behind it stands a muscular man with a bald, slightly younger, and more handsome elongated villainous face, with a narrower face and a more predatory gaze, leaning thoughtfully on the sarcophagus, staring intently at Death, who has come in for a pedicure, creating a tense yet absurd atmosphere. Behind him are various bottles and tools, including large scissors and an angle grinder, adding to the dark humor. The setting is dark fantasy with glamorous elements, such as flickering chandeliers and luxurious decor, drawn in a pin-up art style. The man stands behind the sarcophagus counter. The scene is viewed from the front, focusing on the man behind the sarcophagus counter, with a sense of tension and evaluation in the air.

In a gothic, old cemetery, there is a crypt converted into a beauty salon for the undead. The counter is a massive stone sarcophagus, with glamorous beauty tools inside, including a stylish angle grinder, soldering wires, spare faces, and extra eyes, along with a book titled 'All About Frankensteins Beauty' in English. The sarcophagus is glowing from the inside, creating an eerie yet glamorous atmosphere, blending elements of pin-up and dark fantasy. The focus is on the sarcophagus interior and the man's hands as he opens the lid slightly from the side. The tools inside are polished and fancy, with a prominent angle grinder and other beauty tools. The scene is viewed from above, emphasizing the beauty tools, spare faces and eyes, and the glowing sarcophagus case.

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A close-up of a bald, muscular male character in a gothic, dark fantasy setting, as he puts on fully white protective goggles, resembling ordinary work goggles for chainsaw use. He is now wearing a white shirt, and any extra elements have been removed. His hands are bare, actively adjusting and putting the goggles onto his face. The lenses are joined as a single piece, and the goggles have a simple design without extra elements. The background features gothic arches with an eerie atmosphere, combining dark fantasy and a hint of glamour. The focus is on his confident and precise action of putting on the white goggles, with shadows and subtle lighting enhancing the mysterious and elegant tone of the scene.

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A scene set in a gothic, dark fantasy cemetery where a crypt has been transformed into a glamorous beauty salon for supernatural beings. The perspective is from Death's point of view, looking directly at the bald man as if seen through her eyes. The focus is on the man's face and Death's mechanical left leg pressed against his chest. The man's features are detailed, showing his solid, muscular build, and he is working with a grinder tool on her leg. The scene captures an intimate interaction, with the mechanical leg's metallic details prominently displayed. Gothic lighting enhances the eerie atmosphere, while the crypt and salon background is subtly blurred to keep the focus on the man and the leg. The angle conveys a dramatic, immersive experience, as if the viewer is literally looking through Death's eyes at the man in front of her.

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